East Meets West Down Under: Leura House by James Stockwell
by Haily Zaki
Nestled in the picturesque Blue Mountains near Sydney is James Stockwell’s Leura House, winner of the 2008 Wilkinson Award - the Australian Institute of Architects New South Wales’ highest accolade for a residential project. Inspired by Japanese design methods and informed by warm California modernism, this sleek dwelling embodies a new and decidedly Australian brand of contemporary sustainable architecture, marking Stockwell as one of the country’s top young architects.

Drawing upon Japanese architect Takamasa Yoshizaka’s method of ‘discontinuous unity’ (or the fine art of incomplete space) Stockwell creates open-ended spaces without defined thresholds, blurring the line between indoor and outdoor. Walls aren’t there to enclose, but rather to cause pause as one journeys through the space.
With a nod toward Ray Kappe’s brand of California modernism, Stockwell lets the “natural layer” shine through, drawing inspiration from the geology and landscape of the edges, cliffs, caves, and ponds of the surrounding Blue Mountains. The house almost unfolds out of the earth as the last level of the landscape before descending down to the valley. Two perpendicular pavilions enclose a gently sloping landscaped space, naturally framing the expansive valley view. Over this, Stockwell lays a uniquely Australian palette of materials which pay homage to the historic lineage of the early timber and corrugated iron buildings of the region.
Besides being drop dead gorgeous, Leura House is also deeply sustainable. Rammed earth walls made from crushed local sandstone with cement, iron stone and quartz provide excellent insulation. Simple passive methods that warm and cool the house are backed up by a hydroponic heating and cooling system. The house even produces its own power and water. Having honed his design skills with Peter Stutchbury, Stockwell has been involved with several award-winning projects, but Leura House gives him his first prize for his own practice. We’re excited to see what comes next.





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Excessive wasted space, marble imported from half way around the world, and expansive lawns in a drought sticken continent do not represent sustainable architecture. Why does inhabitat continually characterize the beautiful homes featured in its blog as sustainable. Please, don’t misunderstand me. A great deal of the posts feature advancements in design and architecture which are sustainable. But many of the luxury homes are not sustainable (if everyone did it, could the earth survive?).