Smooth, sleek, sharp, and made entirely from paper, Inga Sempé’s Double Stray Lights for Artecnica, require no assembly and arrive flat packed. There’s not much we don’t love about these elegant paper lamps. Their ability to be so incredibly sophisticated, while retaining a tactile, vulnerable quality, has us absolutely captivated. Arriving compact, the Double Stray unfolds accordion-style to light up interiors with an intentional moiré pattern that gives both structure and ambiance.
A few months ago, prolific product design star Philippe Starck shocked the world with his proclamation ‘Design is Dead’, and the announcement of his pending retirement due to his frustration with the ethical/consumption issues inherent to product design. Sounds to us like Starck had some sort of a midlife crisis and came to a realization that everything he’s ever designed is totally useless:
Of course, we could have told him this awhile ago - but were still a bit surprised and frustrated about his pessimistic proclamation and subsequent retirement. One would think that the most helpful and sensible approach to the realization that one has been wasting one’s time producing useless crap (like uncomfortable see-through plastic chairs and scarily alien looking lemon-juicers that can’t actually be used) - would be to STOP producing useless crap and start putting one’s talent to use to try to make a positive difference in the world.
And despite the melodramatic announcement this spring, perhaps this is where Starck is headed after all, regardless of the threats of giving up entirely. Recently Philippe Starck has brought an amazing idea for renewable wind energy to life through a sleek new mini wind turbine called ‘Democratic Ecology’.
Alon Alex Gross’s fog and dew collectors provide a low-tech way for people in arid, developing regions to collect drinking water. Gross uses design to show users how individuals can come up with their own answers to ecological and technical problems. His method fuses the ancient methods of fog harvesting and dew collection with modern improvements such as super light materials and internet connectivity.
Zurich-based Postfossil Design Collective came together to create a platform for exploring how design can influence responsible, and adaptable behavior. Earlier this year, at Milan’s furniture fair, they excused themselves for ‘deviating’ from a focus on the use of sustainable materials and production methods, yet Postfossil presented an impressive eco-conscious collection at Salone Satellite. Their thought-provoking designs garnered the Design Report Award for unique ideas that challenge our post-fossil perception.
This bizarrely named but beautiful Cinelli Bootleg Magic Bus Rat bike was one of the many highlights of this year’s Well-Tech Awards at Milan Design Week 2008. Folding up in 20 seconds and weighing less than the average trekking bike at 11kg, this little cycle offers a particularly nimble, stylish way to get around town. With a totally sustainable street attitude, high-tech attributes and miles of bike experience behind it from one of cycling’s top stars, the Bus Rat is a tricked out two wheeler we can’t ignore.
When we made our way through the Tuttobene show at the Milan Furniture Fair this year, we initially thought Manon Juliette’s ‘Feliz’ leather rug was simply a delightfully tactile creation. However, closer inspection revealed that sustainability enters the design story at almost every stage of this charming creation. As well as looking at the ecological impacts, the Dutch designer has incorporated social benefits, considering everyone involved in the lifecycle of these decorative pieces.
Being the Dutch design aficionados that we are, we don’t think we’ll ever get tired of playful Dutch design, especially when it’s as sustainable and delightful as Krejci’s ‘Let’s Grow Some Balls!’ chair, which is both a planter and chair all in one. A garden chair that IS the garden, users are brought closer to nature by being surrounded with it.
Over the years, Milan has evolved from merely hosting a furniture fair every spring to having almost every street taken over by all types of innovative design every April. This year, sustainable design joined in the fray more than ever, with many exciting exhibits highlighting socially conscious design, including the Well-Tech Awards. At this inspirational show we discovered the Lifesaver bottle - a beautifully simple concept for portable water filtration, and one that could make a real difference to a world increasingly threatened by shortages of clean, drinkable water.
Clearly a design better suited to sunny Italy than our native London, Toshiyuki Kita’s Sunplant, which we spotted in Milan this year, is an elaborate outdoor energy installation that fuses art with environmentally friendly gadget power. It’s a lovely metaphor: energy from the sun hits one of the plant’s eight PV panel ‘leaves’, which is then used to recharge up to 48 AA batteries that sit at the installation’s centre.
WIS Design’s Decades chest of drawers stopped us dead in our tracks at Salone Satellite. Dramatically positioned before a hot pink background, its combination of drawers were selectively rescued from local Stockholm flea markets. “Decades” was first launched at last year’s Casa Cor exhibition in Stockholm, where WIS Design are based and have a showroom. This is the first time the products have been shown at an international exhibition such as Salone Satellite and the debut made some seriously sustainable waves throughout Milan.
One of the subtler but more beautiful designs that we saw at the Milan 2008 Greenenergy Design show was Antonio Citterio’s ‘Lace’: tiled architectural cladding that’s designed for user wellbeing and ecological preservation. A standardised product that produces an intricate and intriguing pattern when multiplied, the design keeps the user in touch the world outside. The tiles themselves were also more sustainable, using a special resin that is free of solvents and volatile organic compounds (VOCs).
We are enchanted by Kelp Constructs, the new work from UK-based designer Julia Lohmann who has been experimenting with kelp, and exploring its potential as a sustainable material. Following an artistic residency at S-AIR in Sapporo Japan, Lohmann was in Milan this year conducting the Kelp Constructs workshop at the Nilufar Gallery. The final products, a collection of wonderfully tactile lighting designs, were on display during the Salone Internazionale del Mobile, bringing this rapidly renewable material into a new design realm.
The Salone Satellite, an event featuring young talent, is probably one of the most exciting sections of the Milan Furniture Fair. It features some of the most inventive prototypes and pieces, and is a must see for all visitors and furniture lovers. This year, students from the University of Belgrade presented their work made from industrial wood, and we happen to love the designs that these students brought to Milan. It’s been hard to pick our favorite, so we’ve decided not to even try. Instead, we leave the decision to you, which is your favorite piece?
With a name like ‘No More Gas’, you can bet that this cute little personal electric vehicle is as good to the environment as it is to the user. Its size, weight and fuel make it much better for the planet, while its look and driving experience make it great fun for the driver. Looking like it’s dropped straight out of an episode of The Jetsons, this tiny car can achieve speeds of over 75mph for a cost of $0.02 per mile. All this eco-goodness earned Myers Motors’ NmG vehicle kudos at this year’s Well-Tech Awards exhibit in Milan.
We never thought the Frankenstein approach would work for eco-design, but Dutch designer Jetske de Groot shows that it works beautifully. A refreshing change to all the super-slick design at the Milan Furniture Fair, de Groot’s chairs and tables are as sustainable as they are appealing. The project, entitled ‘Multiple Family’, is driven by a brilliant, simple approach: take two or more broken chairs or tables, and fuse the non-broken bits together to produce a new, functional and completely unique design.
We’ve covered many of our favorite designs from Milan Design Week 2008 this past week, but there was lots of intriguing eco design that we still haven’t touched on yet: Steven Burks’ eco-minded ‘Cappellini Love’ tables, lots of LED oriented lighting, waste-diverting floor coverings made from scrap materials, and innovations for portable functional spaces are just a few of the highlights we don’t want to leave out from our Milan Coverage. From Tuttobene, Satellite and around town, here is a selection of great green designs we spotted while out and about in Milan last week.
One of our favorite stops during Milan Design Week, last week, was at the Well-Tech Exhibition, where we found the Well-Tech organization’s mission in full green design form. Founded to encourage design that focuses on sustainability, inclusiveness and improving quality of life, Well-Tech’s 2008 exhibit featured some of our favorite humanitarian and social design products, such as the Bogo solar light, as well as some innovative new eco-design ideas, like the ‘No More Gas (NmG)’ personal electric vehicle. Read on for our highlights from Well-Tech!
The recent furniture fair in Milan has certainly made us appreciate how some of the simplest furniture pieces, like chairs, can be reinterpreted in any number of ways. Tokujin Yoshioka’s Bouquet chair, part of the Moroso collection at Salone Internazionale del Mobile last week, is an extraordinary example. With a thin, chrome metal tube supporting a simple egg shaped shell, Yoshioka has applied a bouquet of fabric squares to create an incredibly snug, and beautiful, chair. While our sustainable side is a little on the fence, we can’t help but be intrigued by this amazing design, which was easily one of the most talked about innovations in Milan this year.
David Trubridge, one of New Zealand’s most celebrated green designers, reincarnates natural forms as light fixtures and seating in his latest work, which he presented at Salone Internazionale del Mobile last week. Tracing the curvilinear forms found in the island’s landscape, his Spiral Island collection evokes a sense of natural wonder in viewers, and garnered a line of eager spectators at the Salone show in Milan. Despite their large volume, the lighting fixtures float delicately overhead, giving new emphasis to the Maori name for New Zealand, Aotearoa, meaning ‘land of the long white cloud.’ Meanwhile, the colorful ‘Island’ seating will have your rear grounded in comfortable spiral bliss, mimicking the organic forms of the island in eco-sensitive style.
Celebrated Dutch design collective Droog Design pushed green design ideas to the forefront this year with their ‘A Touch of Green’ presentation in Milan. Echoing this Inhabitant’s focus on the boundaries of sustainable design, Droog brought together a whole host of designers - some new, some familiar - to showcase a range of approaches in an effortlessly curated, but typically stylish show complete with a buzzing 48 hour shop. Among our favorites are Tejo Remy’s furniture made from collected components, SMAQ’s take on thermal comfort and Jens Praet’s functional, waste-diverting pieces, but the Droog show offered exciting new design perspectives at every turn. Read on for more highlights!
Visitors to this year’s Salone del Mobile were in for a treat when they strolled through Zona Tortona into a quaint, Italian courtyard on Milan’s Via Borgospesso to encounter Christoph Klemmt’s stunning vortex-shaped OR installation. Composed out of polygonal, photoreactive segments which respond to ultra-violet light, OR’s captivating powers lie in its capacity to correspond its appearance to changes in weather and daylight. Its ’skin’ emits flourishing hues of blue and green when exposed to sunlight and maintains a subtle translucency when the installation is overcome by shade. Best of all, OR’s effects are not limited to daytime - at night, it generates ample atmosphere by becoming a ‘chandelier’ which lavishly floods its surrounding areas with a dramatic dispersement of light.
With blue skies and sunshine to greet us, this past weekend in Milan took us to the Zona Tortona, an area in Milan outside the fair. We started the Zona Tortona journey with a brilliant, blue, photosensitive sun canopy, and found lots of sustainable design surprises from hand-printed wallpaper (on paper made from responsibly harvested sources) to a new take on eco-burial. From emerging young professionals to innovative design students, our highlights will give a taste of the scene ‘Fuori Salone’ - the off site exhibitions.
Starting last week on April 16th, Milan Design Week, the world’s biggest contemporary furniture event, has drawn to a close, but we still have lots of pics and coverage yet to come! The memories of brilliant Milanese sunshine seem so distant now, with steady rain all day festival goers are starting to wear down after a few too many parties! Nevertheless, your Inhabitants are stopping off for extra espressos every day, to ensure that you get your daily design fix! We attended Designersblock over the weekend, and here were some of our favorite designs.
The Greenergy Design exhibition, at Cortili dell’Universita degli Studi di Milano, is just the kind of thing us Inhabitants live for. As the title suggests, all of the designs on display had sustainability at their heart and Greenergy featured awesome designs such as a billowing, constantly changing cloud light, a personal seating garden, and included work from world-renowned designers including Philippe Starck and Marti Guixe. Take a look at our highlights here!
The first day of Milan’s Salone Internazionale del Mobile was an exciting affair that showcased some of the the finest names in sustainable design. We were particularly captivated by the soft atmospheric glow cast by Stephan Siepermann’s Leaft lamps. Each luminescent leaf is composed of recycled (or ‘upcycled’) plastic casts that wind together into a binding branch. The effect is magical, weaving fine lucent lines into a delicate interplay of light and shadow.
